The Value of an Entertainment Legal Intern
What do you get when you combine a project management specialist with a global development firm with an comprehensive approach to entertainment law internships? PDI Global LLC. The common denominator, of course, is Andrew P Cleef. A unique talent in the entertainment industry, Cleef has studied architectural projects globally and seen the depths that a project can go to as the project moves through the various stages. The internship, brief as it may have been, has proven a valuable addition to his overall experience, and the legal community is better for it.
The management of international architectural projects has similarities to the practice of entertainment law. The law in any industry is closely related to the business practice of this industry, and for an entertainment legal intern, there are specific skills and practices that they will be able to benefit from in their field.
First, international architectural projects put a great deal of emphasis on teamwork and collaboration. So does entertainment law. An entertainment legal intern who is used to working on collaborative team efforts, where they can see the progress but also the weaknesses of a group effort, will have more to offer than someone who is used to working alone. They will also benefit from the working style of law firms. Lawyers are masters of collaboration in an industry that is all about individual effort.
Second, as in architectural work, the law is a constantly shifting field with new challenges that must be solved. The manner in which a legal team solves problems, however, is invaluable. An entertainment legal intern who has been employed with a global company has a unique view on how to grow with a company and let their experience cull more experiences that will allow them to grow. Global experience is a vital part of the legal profession, and an entertainment legal intern is more than happy to build from the foundation of a global project to create future success.
Third, the knowledge of a discipline is only as important as the ability to blend that knowledge into other disciplines. An entertainment legal intern will have an easier time integrating their architecture knowledge into their legal knowledge than another person altogether. Their knowledge of the projects will be useful in understanding the construction and project management of anything involving construction or modification.
Fourth, the trends of global development projects will filter into fields that are not normally associated with architecture. As teams from around the world meld different cultures together with different projects and the United Nations sponsors new initiatives, the entertainment legal intern will find that they have the experience to understand the global picture in a way that may help their approach to a project.
Fifth, as with architectural development, design for the screen is expensive and time-consuming. This means that an entertainment legal intern needs to be able to solve various issues. For example, if an actor drops out, how do they fit the role? If the camera equipment dies halfway through the recording process, what can they use instead? This degree of problem-solving skill is what project management is devoted to and why entertainment legal interns have to be willing to focus on problem solving.
Sixth, contracts are a necessity for strengthening the entertainment industry, which has many similarities to the architecture industry. For example, there are contracts in most architecture work, including contracts for when an architect retires or passes away. The entertainment legal intern will have an easy time transitioning from one field of contract work to another field of contract practice.
Seventh, technology makes things easier, and architects, like entertainment managers and lawyers, are always looking for a new technology to adopt that can cut costs and streamline work. Media is no exception. As entertainment legal interns become experts in their field, they become masters of technology, applying it not just to their own work but also to their department, their discipline, and their company as a whole.
Eighth, the power of diversity and culture should not be underestimated. In many architectural projects, workers come together from various countries to collaborate on a single goal. The same is true for entertainment managers and lawyers. They may meet clients from all over the world and need to be able to interact with them. An entertainment legal intern who has international experience will be able to understand what they mean without being told, and will be less likely to insult people due to cultural misunderstandings.
Ninth, not only will an entertainment legal intern be able to have a more diverse experience, they will be able to adapt to diverse experiences. Architectural projects are as discipline-focused as they are collaborative, and entertainment legal interns who have experience in other disciplines will be able to adapt to changing conditions and offer projects that other entertainment legal interns may avoid.
Finally, an entertainment legal intern can learn a great deal of project management from the architecture industry. Anyone entering the architecture or construction fields must have the discipline to stay focused on their current job, and this is also true of entertainment legal interns. They will know how to start and finish projects, to adapt to changes, and to work as a team, all hallmarks of successful people in any discipline.
